12019-03-12T23:56:31+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a1282415plainpublished2019-11-04T21:12:56+00:00Production Editor7a3dce28be212b1ba5b4a7a50f3d6a8d76b58c74On January 15, 1927, thePittsburgh Courier ran an article about vaudeville producer Leonard Harper. Harper produced shows that appeared at the Cotton Club, Connie’s Inn, Lafayette Theater, and other Harlem venues. The Courier article described how Harper’s chorus girl shows were criticized for being too risqué. “What some of Mr. Harper’s critics take exception to in his show is what he calls the ‘hip movement,’” the article noted. “His defense is this: ‘The movement is in the same class with the hula dance. I trained my girls to do it because it is different. I got tired of putting on the hula. White girls can’t do the hip movement like the colored. I don’t know why, but they can’t. I have seen them try. That is one point which we have them bested. But I don’t teach anything I can’t do myself.”
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12019-03-12T23:56:31+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a12824Arts & CultureProduction Editor4plainpublished2019-09-11T22:31:42+00:00Production Editor7a3dce28be212b1ba5b4a7a50f3d6a8d76b58c74
12019-03-12T23:56:44+00:00Stanford University Pressaf84c3e11fe030c51c61bbd190fa82a3a1a12824January - Archived PostsProduction Editor22plainpublished2019-09-10T23:36:24+00:00Production Editor7a3dce28be212b1ba5b4a7a50f3d6a8d76b58c74
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